Use Image C as the reference for the entire clip. The object is already in its exploded state. Create a symmetrical scrub film for future finger control.

Main subject for this clip: Lastenrad-Parkplatzschild.

The clip must start exactly on the centered exploded view from Image C. The camera then moves left around the exploded object by about a quarter-circle maximum, with elegant parallax through the floating parts, then returns exactly to the same centered exploded view from Image C. After reaching the exact center again, the camera moves right around the exploded object by about a quarter-circle maximum, then returns exactly to the same centered exploded view again. The first frame, the middle return-to-center frame, and the final frame must match Image C as closely as possible.

This is not a full 360-degree viewer. It is a controlled product-film inspection built for later slider scrubbing: center -> left -> center -> right -> center. The movement should reveal depth between components without inventing new angles or new components.

All parts must preserve their exact relationship from Image C. Keep the same components, spacing, scale, orientation, materials, shadows, and lighting logic. Do not add parts. Do not remove parts. Do not rearrange the explosion into a new design. Do not turn the image into a different exploded view. The arrangement must remain one coherent system, as if every part could slide back together perfectly.

Use subtle focus pulls: begin on the whole object, allow focus to drift gently across a foreground component, through the central structure, and back to the complete exploded arrangement. Parts may have tiny suspended stillness, but they should not float away, wobble, collide, or animate independently. The motion is camera inspection, not a new explosion.

The environment remains a premium object-laboratory void: clean, expensive, calm, with soft shadows and gentle reflections. Preserve material truth. Let metal glint, fabric absorb light, plastic show molded edges, glass/acrylic catch highlights, paper/cardboard remain tactile. Keep the object's original identity and character.

Camera language: 50-85mm product lens, smooth rail movement, shallow but readable depth, no wide-angle distortion, no handheld shake, no fast rotation, no full backside reveal if unknown. The shot should feel like a luxury product film made for a mysterious physical instrument.

Negative constraints: no full 360 spin, no new object details, no added components, no missing components, no rearrangement, no labels, no arrows, no text overlay, no CAD look, no schematic layout, no cheap CGI, no dramatic VFX, no smoke, no sparks, no sudden camera jump, no failure to return exactly to center.